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The many aspects of releasing a film

10:55
There are tons of techniques, strategies and elements to use and consider when releasing a film, there are a possible 3 different company's that could be used just to get a film reel to the cinemas and vast legislation that dictates the parameters of a film.


Logistics of a film:
The logistics is the core of transport for newly released films. When a distribution company has the task of releasing a film they will tackle getting the film around by hiring a separate company to deliver the reels, the company will use their vans to transport the reels around the different film territories in circulation. However there is more to this aspect of film release than delivery-the logistics must meet the governing body's requirements of film and record and file their moves around the country as plans to be as effective as possible. depending on the budget of the film the logistics will also print the 35mm reels which will cost around £1000 for each film and will be split up into 5-6 reels. Also any extra touches to the films such as subtitling and 3D effects will cost double. Within the last 10 years the logistics has also been responsible for printing the DVD's. However the distributor will own these reels and the right to print the film making them the owners of any films they release. However these are some film company's that are also distributors and logistics, for instance Universal Studios will have the power to make a film, produce their own marketing and then circulate it around the world themselves which actually minimises the overall cost. Another example of logistics is that of the film This is England which on release only bought 20 prints which circulated to only independent cinemas and lasted 3 months.

Licensing:
before any film can be distributed it has to be given a certificate and verified by a board to gain its licensing, this means that all distributors need licenses to release the films they buy. this licensing allows everything from printing the reels to sending them to different cinemas. in the UK this is done via the BBFC-the british board of film classification, this is the governing body for all films released in the UK and is the licensing assigner to all distributors. In terms of licensing for distributors, buying a film from the producers means that royalties have to be paid whenever the film is in use, this could occur when its released, played on TV and even with DVD sales. usually films are bought and played in film territories, there are around 90 of these territories and in the case of film distribution a film can be released in more than 10 of these territories because of its large budget or just released in one because of the locally produced film. Licensing goes as far as TV and even the Internet where Distributors of TV like Sky will by the rights to play newly released films and company's such as Apple will buy the rights to sell a downloadable version on itunes.


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Marketing differences

04:10
For this task we analysed the different marketing techniques between The Boat that Rocked, Bridget Jones Diary and the recent James Bond film Quantum of Solace. Firstly we checked the working title website and the official Boat that Rocked website to find the list of the various marketing techniques they used, upon further research we found that posters were their most effective type of marketing but the use of a trailer also boosted their sales. Also interviews with T4 and magazine interviews were used, but additional marketing for this film was competitions which were still used in september to win a free DVD. Bridget jones' diary was also similar and mainly relied on posters and trailers but instead of creating many competitions they used a popular soundtrack and recent songs for the time of release to get advertisement and to release a seperate soundtrack album alongside the film.
However with James Bond Quantum of Solace product placement and synergy marketing was
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New film releases and their methods

06:11

New film releases use a wide range of methods to advertise but the actual methods used will depend on the film institution and use of directors and actors.

In the case of a new film from universal studios many ‘above the line’ methods will be used such as trailers, posters and merchandising to advertise the film, these are called ATL because of the obvious nature they have and because often the audience will see these methods in play in the world around them. But when a smaller film corporation for instance Warp films releases a film they rely on ‘below the line’ methods such as word of mouth (viral), websites and interviews because the audience will have to search for the advertisements, another way of describing this would be: secondary advertisements.

The films I’ll be discussing are 2012, The Men Who Stare at Goats and Bunny and the Bull.

Possibly the biggest influence on which type of advertisement a film receives is its budget as we can see in these films:

2012: $200,000,000 – ATL advertising: trailers, posters, merchandise.

The Men Who Stare at Goats: $25,000,000 – ATL advertising: trailers, posters.

Bunny and the Bull: $5,000,000 – BTL advertising: websites, interviews. $500,000 of that was spent of marketing

Since the likes of 4 weddings and a funeral advertising has moved on immensely, whereas before the main use of advertising was trailers and bill boards current advertising incorporates the use of the internet and relies strongly on viral marketing. This is because of the huge increase in internet use and social networking sites which are viewed in the millions each day, this makes internet advertising usually better than the traditional method of trailers.

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Film budget question on affecting overall production

04:40
Question asked after watching This is England, Dead man's shoes and Hot Fuzz: How does the budget of a film institution affect production practices used to appeal to a target audience?

Usually the budget for a film affects largely the outcome of the quality but by keeping the film production simple a budget doesn't have to affect the end quality. Sterotypically a low budget means the film wont use well known actors but instead aim for small time actors which suit the role of the characters within the film, this is highly effective because the actors can be chosen by their similarities to the characters within the script, this makes the film seem more realistic because the actor can feel at home with the script and the dialect of the character they are playing.
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Researched information on Hot Fuzz and Dead Man's Shoes

06:00
Hot Fuzz (2007) was given a budget of £8 ml by its production teams Studio Canal, Working Title and Big Talk productions, however most of this budget would have come from the larger distributor Universal Studios which owns Working Title Films. This didn't affect Working Title's input towards the film but did affect their overall profit, more than 50% of which went to Universal Studios.
In it's whole box office sale Hot Fuzz managed a gross profit of £80.573.774 which later increased when it's DVD started to sell in the UK.

Dead Man's Shoes (2004) was directed by Shane Meadows and given a budget of £723.000 by Warp films and distributed by Optimum Releasing. Although Dead Man's Shoes was only displayed in independent cinemas it still obtained a decent profit above its original budget.
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